The Institute for the Decidedly Not-Funny (Interview)

My guest today is Hillary Hitswith, who has been heading the Institute for the Decidedly Not-Funny (or “IDNF”), for the last quarter-century. The science of what is, and what is decidedly-not funny is complex, its history fascinating, and its ramifications vast. The following is an excerpt from an interview I had with Ms. Hitswith in the winter of ‘Ot-six, as we toured a portion of the institute, which is situated on 150 forested acres in Hobbcleff, VT. Continue reading “The Institute for the Decidedly Not-Funny (Interview)”

Lucero

I’ve decided to stop speaking,

and I feel it’s a wise decision.

I still move my lips,

but no sounds come out,

and no one seems to notice.

I still smile at friends,

buy a round of drinks,

and I am always cordial.

I still go to the bars,

drink down my drinks,

and we are always happy.

Yes, I’ve decided to stop speaking,

and I feel it’s a wise decision.

Why speak at all when there’s nothing to say?

I’ll see you tomorrow.

It’s 2 for 1 Tuesdays.

the following is rated R

I and the dreams begin,  haphazardly like ramshackle Japanese makeshift cartoon door frames shuttering against each other in the wind of moths.

she awakes, open eyes and breathing like the rain adorning her horns of ivory, lake mountains and cast iron memories. To each their own.

and then the sunrise appears and with it the remembrance; bones pecking at the desert ceiling; holding on to the sand with crab-shell scuttle, the basement of contrition, opening, revealing, pressing onward, boats drifting back again.

she steps out of her oatmeal linen sheets in the morning sun like a melody from childhood and the grass burnt with sun of the newborn. she is light everywhere.

Movement (Autumn)

1. Autumn, and with it the dead fruit bloody with the life of yesterday, spilled over, awake through the leaves, the apples, the fallen piecemeal, people strolling through the yellow memories of childhood; sepia toned against the decayed umber shadows in their complacency. The raw earth, through tones of yellow, red and bone harvest speaks of flesh and the closing rhythm of the sun; staccato of the moon. The air pleads for ice.

2. The young man stands on street corner concrete dreams coercing the pale earth of his heart; aquamarine desert at sunrise. The scabs of the city writhe, scrape by with the blaring of car horn, muffler spoke and wheel; everyone moving. The moon and the ancestral star stare down wide-eyed over the neon emblazoned night; his heart is weeping, peeled back, horn shredded his own hands owning the scraping tool. Concrete dreams covering the pale earth of his heart; ocean over the desert at sunrise.

The Flow

Two rivers converged,
Their contents combined.
Giving birth to a swirl of life.
From chaos came order,
from void arose form.
A new being danced into the light.

It started so small,
It could barely be seen.
Surroundings and self intertwined.
But the pattern grew larger,
A whirlpool formed.
And with that was its selfhood defined.

As water flowed through,
It twisted in bliss.
Its soul was the cool summer rains.
But its vigor diminished,
As autumn approached.
And the cyclone’s source waters soon waned.

Then the whirlpool said:
“What’s it like to be dead?”
But the water which asked this had gone.
As new water flowed in,
It asked yet again.
But it realized the question was wrong.

“If I’m always changing,
My life but a flow,
How can there be hope that I’ll last?
“When the self that I was,
While pondering death,
In this moment, already has passed?”

As its channels dried up,
It felt itself fade.
Going back into that which it came.
Without fear. Without sorrow.
As it was born again.
Resurrected with each spring’s new rain.

~r

Hopefully soon,

Soon,

Fate will let her hair down,
falling like
a golden fleece,
to wrap us in the warmth
of unobtainable dreams.

Soon,

Fate will let her hair down,
falling like
a gentle snow,
to help shed new light
on the dead and dying.

Hopefully soon,

Fate will let her hair down,
and with a grin,
let something good shake loose
from behind her ears.

Kali

In the garden, children play,
Fresh petals tease unblemished skin.
Young eyes create the universe,
Unbounded by memory or anticipation.
Wordless but for laughter,
Without definition all is possible.
Stomach full and mind empty,
All is blissful.

In the fields, the young toil,
Backs grow strong with life’s labor.
Deft hands cary the load of old and new.
Love is made to a world of named things,
Children born and cared for,
Tired bodies sleep soundly.

In the forest, the old travel,
Laden with possessions, unknowns regarded with fear.
Patterned behavior flows from patterened minds.
Clinging to good with eyes on salvation.

On the mountain, death sits,
The world illuminated in blood and fire.

~r

Morning Mesa

A December sunrise over New Mexico brings an end

to the embryonic slumber of this strange girl’s earthen hovel.

Stepping outside to piss,

a stream splashes gorges through the frosted ground as

steam rises to the occasion.

On the eastern horizon,

the sun pokes his golden thorns over

the tattered edges of the Sangre De Cristo Mountains. Shadows disappear

as the glowing aura sprinkles a dash of tangerine below,

soft like baby’s breath. Bashful stars mill about

in the violet currents to the west.

Tipsy-toed, they curtsy and laugh

and kiss their farewells

to midnight’s glistening dew.

The bitter cold encapsulates, breathing deep to

suck with scorched lungs just

for a taste of something so sweet,

so frigid,

that it breaks the skin on morning teeth.

A coyote caterwauls to the dimmed moon, crying for her capitulation

to the onslaught of day,

the beast’s cackles ring of freedom’s waking revelry.

But nothing else.

No words,

no catch phrases or wasted breath from those

who buzz or whiz or clamor or curse.

All are frozen dead in their beds

as the wind whirls and gusts scatter dust

from brittle sagebrush needles.

Breaking trance,

her subtle call from the squatty shelter shatters lonely silence,

as this desert maiden before me

paces barefoot on sandstone steps.

With eyes that sparkle like winter jasmine

her whisper nibbles on my ear,

“Coffee?”

The simplicity is overwhelming.

“Absolutely.”

The Slam

“Hello everyone, how you doing tonigh?
I have something interesting planned…
My poem for you is unique, and here’s why:
…I’m not sure just when it began…

I came into this place a short while ago,
and was struck by a strange de ja vu…
And I feel it. Right now, as my words fill this space,
And I gaze out and see all of you…

This really is strange, but I think I know why,
This poem is set, well… right now.
This poem consists of this poem itself,
And myself as I read it aloud.

And all of yourselves as these words cross your mind,
which invite you to subtly feel…
That this is the moment this poem belongs.
The moment this poem was real.

As soon as I’m done, these words will return,
To just ink on a page of this book.
They’ll wait there like stones for as long as it takes,
For some reader to give them a look.

And when that reader reads, they’ll project themselves here,
As far as their imagination allows.
They’ll have their own image, but they’ll never know,
How we all feel being here now.

I’m still not so sure when this poem began,
Or if it will ever be through…
But I’ve come to a place where I’m moved to extend,
A humble and heartfelt
Thank You.”

~r

Art Opening

poems derived from watching the folks at an art opening. could be art or just a shameless excuse for judging and watching people.

1.

two men finely dressed

for each other take their time

stepping past photos of middle america.

on the wall hangs a photo of a man

with no front teeth . his daughter

wipes her eyes in the doorframe of a trailer.

the two men move away considering each other.

their coattails dripping rain water across the floor.

2.

two lovers stand facing away from the walls.

they bicker gently over which room

to enter first. she is much prettier than him.

he must have a heart of gold or pockets lined with it.

there is no other way she could love him, not with all that

bickering.

someone has just farted wearing 200 dollar

cowboy boots in portland.

3.

Every man in this town wears grey.

the women flirt with their eye glasses

like old maid librarians cooking

single meals in single pans

late at night waiting for the phone to ring.

Baltimore.

Not really sure where this piece came from. The title was prompted by one of my friend’s sisters. It kind of grew from there. Hopefully it will continue to grow. Hopefully, you enjoy it.

Baltimore. The sun comes down through the empty raindrops, through the leaves on the main street as the soft cries of children arise up to meet it. Outside the birds’ chirping signals the beginning of a new day. The siren song of the coffee pot down stairs begins its revelry with the sound of erupting steam. My wife has already been up for three hours. Baltimore. Everyday this monotony continues. My blonde wife chortles with laughter as our French bulldog licks her face. The children scream with hilarity, their laughter rippling off the walls in primary colors. The wall-paper shudders beneath it as I do.

I am not of this world; Baltimore. I remember that today is Tuesday.

Tuesday is the day of ties. I work in the research and productions department of a retail clothing store. I research the latest trends among white middle class teens and compare them to the latest trends in Japan. Japan dictates all of our professional decisions. My name is Murphy. I’ve changed it three times now. But, I believe Murphy will stick. Anyway, back to Japan. The teenie boppers of Japan are 5 to 6 years ahead of American teenie boppers. As a result, studying the latest trends of Japan gives our research and development team a heads up on the competition. We must stay ahead of the competition. Frankly, I don’t give a shit. Frank, shit, that used to be one of my other names. Of course, I had to change that one as well. Luckily though, I have never had to change my job.

There is within the course of one’s day an underlying structure of events that dictates the gravity and perhaps, though I have not yet convinced myself of this completely, the meaning of one’s life. My life is shit quite frankly. Frank, shit, that used to be one of my other names. I am, and always have been, completely conscious of this structure within my life. And have worked to keep this structure, as it may be, defining my life as shit, quite frankly. I do enjoy a good shit especially on Friday. Today is not Friday. It is Tuesday.  I will wear the yellow tie. I always wear the yellow tie on Tuesday. It defines my life as shit as it is a part of the underlying structure of my life that I have worked so hard to maintain all these years. Baltimore.